In the previous post, I called the transition from the scene at the firm to the one in Draper's hall a "wipe," but that's not quite right. The camera pans left into the wall:
I debated calling this a "manual wipe" before my better angels piped up, but now I'm not sure what to call this. (An artifact of an impending commercial break? Irony itself would get the vapors.) All of which is only to say that whatever this particular transition is called, it creates a continuity between Sterling Draper Cooper Pryce and the hall outside Draper's apartment. Why?
Most likely because Draper has finally decided that he will never be more than the professional persona he created. Not to sound my own trumpet, but my first attempt to understand the Peter/Peggy/Draper dynamic turned out to be largely correct: Peter and Peggy are headed into their respective futures, whereas Draper is slowly become solely an object of his own creation. His last link to Dick Whitman — Anna Draper, the wife of the man whose identify he stole — will be dead within months, at which point the only person who will that "Don Draper" deserves those quotation marks is his ex-wife. Soon he will be his creation, but instead of this moment marking the culmination of a lie or life self-fashioned, the result is as devestating to his personality as it was to his marriage.
If there were some way Draper could arrange a divorce from himself at this point, all indications are that he would: he deliberately sabotages the family-friendly Janzen campaign by presenting the company with the very sort of lascivious material they wanted no part of; he sleeps with his secretary then treats her in a way that invites retaliation; and he starts drinking alone. The vast quantities of alcohol consumed on the show serve a social function, and they continue to do so during working hours. But without a wife and a fiction to uphold, "working hours" for Draper consist of his entire waking life, as when he drinks alone in his apartment and watches his own commercials on television. He has become the man he created and is miserable.